My slight return to the US
A friend wrote an email and asked me if I could come in a month to play in upstate New York. The time frame was a bit short. I asked another friend if he wanted...
A friend wrote an email and asked me if I could come in a month to play in upstate New York. The time frame was a bit short. I asked another friend if he wanted...
After the premier of Horpma III (for 27 plucked string instruments in just intonation) on the first Tectonics Festival in Harpa in the year 2012 me and Halldór ...
Landvættirnar eftir Guðmund Stein Gunnarsson í Mengi laugardaginn 6. febrúar klukkan 20, sunnudaginn 7. febrúar klukkan 20 og miðvikudaginn 10. febrúar klukkan ...
I met Halldór Úlfarsson in 2003. Then he had just made his first “punk-fiddle” which later evolved into his famous Halldorophone. In 2013 however, he introduced...
. . . and there’s a music video! Sam T. Rees (or studio CAPS LOCK ON MY BLACK HOLE) made the cover to the sinfonia L.P. and CD on Carrier Records + numero...
Ensemble Fengjastrútur on the evening of March 8th 2019 premier and the recording session two days later, consisted (as usually) of an eclectic combination of v...
The Worcestershirean artist Sam T. Rees and I have worked together for a few years and we’ve made some record covers together. Well, it’s his record...
The Fengjastrútur concert in Mengi was going to have several older pieces and maybe one or two new ones. The new one grew into a symphony of sorts. Consequently...
Sinfonia for Ensemble Fengjastrútur Sinfonia is a symphony of sorts, written for the experimental music ensemble Fengjastrútur which is based in Reykjavík, Icel...
Percorsi Musicali wrote a somewhat lengthy article about my upcoming record on Carrier Records, Sinfonia in general and my music in particular. This is an honor...