The Barrels and the BBC
I met Halldór Úlfarsson in 2003. Then he had just made his first “punk-fiddle” which later evolved into his famous Halldorophone. In 2013 however, he introduced...
I met Halldór Úlfarsson in 2003. Then he had just made his first “punk-fiddle” which later evolved into his famous Halldorophone. In 2013 however, he introduced...
. . . and there’s a music video! Sam T. Rees (or studio CAPS LOCK ON MY BLACK HOLE) made the cover to the sinfonia L.P. and CD on Carrier Records + numero...
Ensemble Fengjastrútur on the evening of March 8th 2019 premier and the recording session two days later, consisted (as usually) of an eclectic combination of v...
The Worcestershirean artist Sam T. Rees and I have worked together for a few years and we’ve made some record covers together. Well, it’s his record...
The Fengjastrútur concert in Mengi was going to have several older pieces and maybe one or two new ones. The new one grew into a symphony of sorts. Consequently...
Sinfonia for Ensemble Fengjastrútur Sinfonia is a symphony of sorts, written for the experimental music ensemble Fengjastrútur which is based in Reykjavík, Icel...
Percorsi Musicali wrote a somewhat lengthy article about my upcoming record on Carrier Records, Sinfonia in general and my music in particular. This is an honor...
Ensemble Mimitabu in Gothenburg, Sweden will celebrate its 10 year anniversary in April. I will participate and my present to them is my new piece Hótel Natúra,...
On March 6th notabu.ensemble will give a concert with an all Icelandic program in Tonhalle Düsseldorf under the title Ohren auf Island. It has been curated by A...
“Every piece on Skartamannafelagid is a triumph of this deeply integrated way of composing; layers pulling in different directions, astonishingly novel te...