On Sinfonia (1st movement – History)
Sinfonia for Ensemble Fengjastrútur Sinfonia is a symphony of sorts, written for the experimental music ensemble Fengjastrútur which is based in Reykjavík, Icel...
Sinfonia for Ensemble Fengjastrútur Sinfonia is a symphony of sorts, written for the experimental music ensemble Fengjastrútur which is based in Reykjavík, Icel...
Percorsi Musicali wrote a somewhat lengthy article about my upcoming record on Carrier Records, Sinfonia in general and my music in particular. This is an honor...
Ensemble Mimitabu in Gothenburg, Sweden will celebrate its 10 year anniversary in April. I will participate and my present to them is my new piece Hótel Natúra,...
On March 6th notabu.ensemble will give a concert with an all Icelandic program in Tonhalle Düsseldorf under the title Ohren auf Island. It has been curated by A...
“Every piece on Skartamannafelagid is a triumph of this deeply integrated way of composing; layers pulling in different directions, astonishingly novel te...
Myrkir Músíkdagar or Dark Music Days in Reykjavík are happnening as we speak. Tonight Heiða Árnadóttir will premier my piece Skrafað í skurði as well as pieces ...
November 2nd in Breiðholtskirkja the Caput Ensemble premiered my new piece Stífluhringurinn. The piece works with screen scores or animated notation, as does mo...
In “The Digital Score” Craig Vear explores various novel digital notation methods, with a broad scope. Screen scores, animated notation, live scores...
Ensemble Adapter has been touring with a Danish-Icelandic program on various festivals this month, the last one being tonight in Italy. Kvartett no. 7 has been ...