The Barrels and the BBC
I met Halldór Úlfarsson in 2003. Then he had just made his first “punk-fiddle” which later evolved into his famous Halldorophone. In 2013 however, he introduced...
I met Halldór Úlfarsson in 2003. Then he had just made his first “punk-fiddle” which later evolved into his famous Halldorophone. In 2013 however, he introduced...
Ensemble Fengjastrútur on the evening of March 8th 2019 premier and the recording session two days later, consisted (as usually) of an eclectic combination of v...
The Worcestershirean artist Sam T. Rees and I have worked together for a few years and we’ve made some record covers together. Well, it’s his record...
The Fengjastrútur concert in Mengi was going to have several older pieces and maybe one or two new ones. The new one grew into a symphony of sorts. Consequently...
Sinfonia for Ensemble Fengjastrútur Sinfonia is a symphony of sorts, written for the experimental music ensemble Fengjastrútur which is based in Reykjavík, Icel...
In “The Digital Score” Craig Vear explores various novel digital notation methods, with a broad scope. Screen scores, animated notation, live scores...
Einvaldsóður is an opera about the history of the world – greed and pride. The text is an Icelandic 17th century poem by reverend Guðmundur Erlendsson who...